Friday, 18 December 2020

ABUL FAZL

Evaluate the contribution of Abul Fazl as a historian of Akbar’s reign:

The most celebrated official history, which should have the pride of place is ‘Akbarnamah’ of Abul Fazl, who undertook it under the specific orders of Akbar.

Sheikh Abul Fazl, the son of Sheikh Mubarak of Nagaur was born at Agra on 14 Jan 1551. He was a born genius, who completed his education by his 15th year and became a teacher by his 20th year.

In 1573 he was introduced to Akbar, who quickly perceived his sharp intellect and made him his close associate. He rose quickly in Akbar’s esteem and gained one after another very responsible posts in the Empire. Whatever he touched he turned into a great success, whether it was in the arena of scholarship, politics, diplomacy, or warfare. But he is known to the world mostly as a historian.

He wielded a very powerful pen which was well utilized for his monumental work, when Akbar asked him to present a sincere and truthful account of the happenings of the Empire. Abul Fazl states how he set about doing this job, which was all not very easy. Very painstakingly he labored hard to collect the material, interrogated numerous officers, nobles and dignitaries and examined young and old witnesses in order to exact information from them. He caused a royal decree issued to all the provinces to furnish him every bit of relevant data on administration, social conditions and economic life.

Special care was taken to see that correct information was furnished which was to be recited in the royal hearing. The result was the daily inundation of official reports in his office, which became a massive record office. Great pains were taken to obtain the original orders issued to the provinces from the Centre, the reports of the ministers and higher officers which were all scrutinized and utilized. Whenever any doubts occurred, he consulted Akbar himself.

Abul Fazl wanted to write four volumes on Akbar’s reign and a fifth volume on the administrative institutions. Abul Fazl was so keen on doing the job well that he revised the original draft five times until it came up to his expectations. The volume on administration was completed in 1593. When the main work, ‘Akbarnamah’ was completed in 1598, it created a sensation. This work is regarded as the most complete and authentic history of Akbar’s reign. In terms of the authenticity of information obtained, the variety of topics covered, the critical and analytical method adopted, the honesty and sincerity of purpose displayed and the analysis and interpretations presented all such that it is a class by itself.

Abul Fazl rightly deserves the title of Histographer-Royal of the Mughals. A contemporary remarks about his style, ‘Abul Fazl stands unrivalled. His style is grand and free from technicalities and flimsy pettiness of other munshis, the suitableness of his compounds, and the elegance of his periods are such that it would be difficult for anyone to imitate him’.

The Akbarnamah is a comprehensive history of the reign of Akbar. The first part deals with Babar and Humayun, the second part deals with Akbar from his accession to 1602, and the third part is ‘Ain-e-Akbari’ that deals with the administrative machinery of the government. It is a mine of information that gives us minutest details on the extent, resources, conditions, population, industry, trade and commerce of the empire.

Abul Fazl regarded History as ‘a unique pearl of science which quiets perturbations, physical and spiritual, and gives light to darkness, external and internal’. He declares that he complied this history with a scrupulous regard for truth. ‘It was his practice to be critical of self and indulgent of others’. Akbar’s age witnessed a great awakening in social, political and religious areas, and Akbar himself was the main source for the great change. Abul Fazl attempted to capture the mood of the age and depicted the manners of the people, so that prosperity could appreciate the powerful impact that one enlightened monarch could bring about in all vital areas of human activity.

Abul Fazl depicts the spirit of the age, its arts and social life, its administration and culture. Akbar realized the basic needs of the time, a strong monarch, a liberal outlook which would bring down the barriers between man and man and political stability and social solidarity which were all needed to push India forward to the level of the most advanced nations of the world. He did succeed in his efforts, as he was ably assisted in his endeavor by a band of selfless associates who were sincerely loyal to him and who genuinely believed in the nobility and necessity of his mission.

Akbar needed a wide publicity for his policies and programs and no medium was more suited in those days than that of history, and no better historian could be thought of for the purpose than Abul Fazl. It was the greatness of Akbar that he had a discerning eye which could at once detect who was suited most for a particular job.

Despite the numerous virtues of ‘Akbarnamah’ as a great work, it cannot be denied that hit was not altogether free from subjective approach. Abul Fazl believed in Akbar as saints believe in God. Abul Fazl was first an artist and then a scientist and hence in many places Akbar’s vices have been minimalized and virtues have been exaggerated. His style is not easy, lucid, and captivating, but so terse and sophisticated that only serious scholars could make good use of it. Abul Fazl says that he did not write for the commoners, but only for the exalted and more so for the enlightened monarch.

The oriental languages in general and Persian in particular are more suited for poetic and artistic purposes, and when an author adopts almost an epic style in prose and attempts to produce a scientific treatise, the natural confusion is imaginable. Consequently, the Akbarnamah unlike ‘Shahnamah’ of Firdausi or ‘Gulistan’ of Sadi is not on the lips of all those who know Persian, but a sacred and celebrated book of reference, like an authority on jurisprudence or an encyclopedia, consulted at times of compelling necessity but not read for pleasure.

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