|
CLASSISM |
ROMANTICISM |
1. |
Feature of the seventeenth
and eighteenth century |
Feature of the
nineteenth century |
2. |
Appeal to Reason |
Appeals to Reason and
Emotions |
3. |
Normal and typical
approach |
Individual approach |
4. |
Suspicion and horror
of the unknown |
Dissatisfaction with
the known, interest in remote times and places – middle ages – idealized the
revival of ballad, gothic and historical novel |
5. |
Clear and ordered
expression and form. A belief in beauty of measured precision. |
Experimentation with
musicality and color in expression |
6. |
Emphasis on content
and idea |
Emphasis on feeling and
emotional reactions. |
7. |
Emphasis on the
measurable and determined. |
Emphasis on the immeasurable
and undetermined. |
8. |
Importance of
universal thoughts and ideas. |
Importance of particular
and individual thoughts and ideas. |
9. |
Love of man’s
accomplishments in taming and controlling the wild and rebellious in nature. |
Love of external
nature in its wild and primitive state. Nature is looked upon as a moral teacher.
To return to nature was to return to what was most instinctive and
spontaneous and what was best in humanity. |
10. |
Acceptance of
tradition of earlier classical periods particularly those of ancient Greek
and Roman cultures. |
Rejection of
tradition – except from earlier romantic periods (sixteenth century in
particular primitive folk cultures, renaissance development on idealized historical
association). |
11. |
Concern with only the
creamier sections of society – aristocrats, the nobility, and the intellectual
class. |
Interest in the life
of the common man. They believed that the life of the rustic was richer than
the nobleman. E.g., Wordsworth’s ‘Preface to the Lyrical Ballads’. |
12. |
A lot of control exercised
with matters of trade. |
In political economy
the ‘Doctrine of Laissez Faire’ (noninterference). |
13. |
An age where
rationalism was the watchword. |
Eighteenth century rationalism
was overthrown by Kant’s ‘Critique of Pure Reason’ (1781). Human Reason can
deal only with the phenomena; it is powerless in realm of ultra-rational
ideas such as God, freedom and immorality. |
Monday, 10 May 2021
CLASSISM VS ROMANTICISM
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